Irina Malysheva

The film "One Hundred Days After Childhood" brought the young performers of the main roles not only recognition from the public and critics, but also helped to arrange their personal lives. The collaboration of director Sergei Solovyov with Tatyana Drubich grew into a 6-year marriage, and Irina Malysheva had a relationship with screenwriter Alexander Alexandrov. Although at first the young actress was even afraid to look in the direction of this "bald bearded man."

In the middle of the last winter month of 1961, a replenishment happened in a Moscow intelligent family - a daughter, Ira, was born. My father held a professorship at the famous Tupolev design bureau, and his duties included the creation of aircraft. Mom, who graduated from the famous "Gnesinka", was a soloist in the Sokolov choir and managed to convey to the child a craving for classical music.

Even at an early age, Irina coped with serious arias with enviable ease, showed good creative abilities, cherishing the dream of becoming a famous pop artist. However, the head of the family did not share the child's hobby. And, deciding to protect him from what he believed to be frivolous, he assigned him to a special school with a bias towards the English language and natural sciences.

However, in an elite educational institution, relationships with classmates did not work out due to the so-called financial abyss. Malysheva was harassed every now and then.

However, everything changed when the teenager turned 13. Seeing at a special Mosfilm stand an announcement of an urgent search for a candidate for the female role in the film, Irina, without hesitation, rushed to audition. It would seem that natural shyness and modesty could interfere with a favorable decision, but this is the kind of girl the director needed.

After the school found out about Malysheva's debut in cinema, the position of the aspiring actress became completely deplorable. She was pulled at the slightest offense, grinning maliciously that she needed to do really important things, and was not even accepted into the Komsomol.

Ira could not stand the attacks and told her mother about her misfortunes. The woman transferred her daughter to a school for working youth, among which were the children of Mikhail Ulyanov, Vasily Aksyonov and Semyon Lungin. The teachers treated the "work" of the wards with understanding.

Recalling the casting, Malysheva said that the director himself was in charge. She immediately liked him - small, round, like a Kolobok, and the terribly good-natured Soloviev could breathe life into even the most indecisive novice actor. Two teachers were assigned to monitor the behavior of the young talents, but they still "missed" at least two stellar novels.

Although at first Irina hated the screenwriter of “One Hundred Days After Childhood”. It was at the direction of this "uncle" that they made her two creepy ponytails and dressed her in a terrible dress, on which ink was always poured in protest and which was burned. For the shooting of the dance scene, the girl decided on a makeover - a fashionable hairstyle, light makeup and a beautiful lace outfit. Despite the fact that in this form, Aleksandrov forbade to appear in the frame, a friendship struck up between them, supported by correspondence.

After the premiere, Malysheva woke up famous, offers of cooperation were constantly poured on her. And Irina, struggling with youthful complexes, chose the roles of privileged persons - princess ("Princess and a pea"), princess ("Shoes with gold buckles"), princess ("Bagration"), tsarina ("Boris Godunov").

In due time, the girl became a student of the famous "Pike", and she was lucky enough to listen to the lectures of the students of Yevgeny Vakhtangov himself. As the artist later admitted, she adored to study and did it "avidly", for which she repeatedly became a Lenin scholar. Irina's creative biography included two temples of Melpomene - the dramatic one named after Pushkin and the Theater of the Moon.

Over time, the filmography has increased exponentially, and the works "Let's talk, brother ...", "I will never forget you", "Father had three sons", "Dead Souls", "A Special Occasion" are now being watched with joy by the audience.

An epistolary romance with a senior colleague in the premiere film turned into a real one. The girl was finishing school at that time, and Alexander Leonardovich protected the object of his sighing as best he could. According to Irina, it was she who insisted on the transition of their relationship from platonic to more intimate. Soon the couple began to live together, but a happy coexistence did not happen.

In the 1st year of the Shchukin school, during another quarrel with her lover, Malysheva was invited to act in film by Elem Klimov in "Come and See" (working title "Kill Hitler"). And soon they began to meet not only at rehearsals and runs, despite the director's marital status.

This is what the actress said in a big interview with "Caravan of Stories", providing a photo from her personal archive.

The connection between them was cut off immediately after the death of the legal wife of Klimov, who switched to a young passion. Then Irina was looked after by many representatives of the opposite sex, but she met her only husband Roman at that moment when she was already desperate to find true love.

In the 90s, Malysheva left the stage and retrained as a realtor specializing in suburban elite real estate. Although, as the woman later admitted, she could find herself in any business.

And shooting and theater turned into a hobby - by 2019, the last film work was an episode in the 2011 "Girl's Hunt".

1975 - "One Hundred Days After Childhood" 1977 - "The Princess and the Pea" 1978 - "Let's Talk, Brother ..." 1981 - "Rider on a Golden Horse" 1981 - "Father had three sons" 1983 - "I will never forget you "1984 -" Dead Souls "1985 -" Bagration "1987 -" Boris Godunov "1987 -" Silver Strings "1991 -" Charming Aliens "1996 -" Marquis de Sade "2005 -" I will not be back "2006 -" Ivan Podushkin. The Gentleman of Detection - 1 "2011 -" Maiden Hunt "

Irina Malysheva 's estimated Net Worth, Salary, Income, Cars, Lifestyles & many more details have been updated below.

Let's check, How Rich is Irina Malysheva in 2020 ?

Irina Malysheva Net Worth 2021

Irina Malysheva 's revenue is $ 1.9M in 2021. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $ 853.7K - $ 1.5M.

Irina Malysheva Net Worth 2020

Irina Malysheva 's revenue is $1.1M in 2020. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $510.8K - $1.6M.

Irina Malysheva Net Worth 2019

Irina Malysheva 's revenue is $1.6M in 2019. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $602.5K - $1.6M.

Irina Malysheva Net Worth 2018

Irina Malysheva 's revenue is $1.4M in 2018. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $751.6K - $1.8M.

Irina Malysheva Net Worth 2017

Irina Malysheva 's revenue is $1.9M in 2017. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $713.1K - $1.7M.

Irina Malysheva Net Worth 2016

Irina Malysheva 's revenue is $2M in 2016. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $772.8K - $1.2M.

Irina Malysheva Net Worth 2015

Irina Malysheva 's revenue is $1.5M in 2015. It is an approximate forecast of how rich is Irina Malysheva and could vary in the range between $589.8K - $1.7M.

It is an overall forecast for the net worth of Irina Malysheva. The evaluation covers the latest 5 years and an approximation for next year. See above to learn how much money does Irina Malysheva make a year.

The range above shows an estimation based on evaluation generated by public information about sponsorships or other sources found on the internet. It's summarized data from Irina Malysheva' projects existing in AidWiki's repository. It's an approximation of the revenue compiled by AidWiki and may not correspond with the real amount.